Introduction: East-Central and Central-East Europe as an Imagined Space for Shakespeare

dc.contributor.authorMišterová, Ivona
dc.contributor.authorHavlíčková Kysová, Šárka
dc.date.accessioned2025-06-27T10:08:43Z
dc.date.available2025-06-27T10:08:43Z
dc.date.issued2023
dc.date.updated2025-06-27T10:08:42Z
dc.description.abstractThe special issue of Multicultural Shakespeare grew out of several years of cooperation among Shakespearean, theatre, and film studies scholars based in or attracted to the Visegrad countries. Their activities were supported not only by the universities with which they are affiliated but also, in recent years, by two Visegrad Fund projects. The first of the projects, titled Shakespeare in Central Europe after 1989: Common Heritage and Regional Identity , examined the canonised oeuvre of William Shakespeare and its reception in the post -Communist countries after 1989. The group of researchers, which became known as CEESRA (Central European Shakespeare Research Association), led enthusiastic discussions about Shakespeare ' s plays used as a touchstone for social attitudes, historical awareness, and cultural memory in the region. The project aimed to uncover the uniqueness of cultural heritage and historical experiences shared in the region. The results of the project were published in the special issue of the peer -reviewed journal Theatralia (2021), titled Shakespeare in Central Europe after 1989: Common Heritage and Regional Identity (Vol. 24, Special Issue 2021) Theatralia.en
dc.description.abstractThe special issue of Multicultural Shakespeare grew out of several years of cooperation among Shakespearean, theatre, and film studies scholars based in or attracted to the Visegrad countries. Their activities were supported not only by the universities with which they are affiliated but also, in recent years, by two Visegrad Fund projects. The first of the projects, titled Shakespeare in Central Europe after 1989: Common Heritage and Regional Identity , examined the canonised oeuvre of William Shakespeare and its reception in the post -Communist countries after 1989. The group of researchers, which became known as CEESRA (Central European Shakespeare Research Association), led enthusiastic discussions about Shakespeare ' s plays used as a touchstone for social attitudes, historical awareness, and cultural memory in the region. The project aimed to uncover the uniqueness of cultural heritage and historical experiences shared in the region. The results of the project were published in the special issue of the peer -reviewed journal Theatralia (2021), titled Shakespeare in Central Europe after 1989: Common Heritage and Regional Identity (Vol. 24, Special Issue 2021) Theatralia.cz
dc.format8
dc.identifier.document-number001253632900001
dc.identifier.doi10.18778/2083-8530.28.01
dc.identifier.issn2083-8530
dc.identifier.obd43943648
dc.identifier.orcidMišterová, Ivona 0009-0008-5461-8953
dc.identifier.orcidHavlíčková Kysová, Šárka 0000-0002-1259-5991
dc.identifier.urihttp://hdl.handle.net/11025/61842
dc.language.isoen
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance
dc.rights.accessA
dc.subjectWilliam Shakespeareen
dc.subjectEuropeen
dc.subjectimagined spaceen
dc.subjectidentityen
dc.subjectcultural capitalen
dc.subjectWilliam Shakespearecz
dc.subjectEvropacz
dc.subjectimaginární prostorcz
dc.subjectidentitacz
dc.subjectkulturní kapitálcz
dc.titleIntroduction: East-Central and Central-East Europe as an Imagined Space for Shakespeareen
dc.titleÚvod: Východní a středovýchodní Evropa jako imaginární prostor pro Shakespearacz
dc.typeČlánek v databázi WoS (Jimp)
dc.typeČLÁNEK
dc.type.statusPublished Version
local.files.count1*
local.files.size240538*
local.has.filesyes*

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