Clarinettist Milan Kostohryz: His contribution to the field of reconstruction of historical instruments and his innovative promotion of new instruments

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dc.contributor.authorŽitný, Radek
dc.date.accessioned2022-02-04T08:00:40Z
dc.date.available2022-02-04T08:00:40Z
dc.date.issued2021
dc.description.abstract-translatedMy dissertation at the Department of Music Education and Culture at the University of West Bohemia is entitled “Milan Kostohryz. His contribution to music interpretation and pedagogy.” The dissertation focuses on an extraordinary musician, Milan Kostohryz (1911–1998), who had a significant impact on both the Czech and worldwide music community. He was highly professional, passionate, and meticulous, which was reflected in the wide scope of his activities. He was a reliable and sought-after player (in opera orchestras, chamber ensembles and as a soloist); a respected and successful teacher (almost all his students were successful in the field); an exceptional methodologist (he wrote a number of methodical articles and papers, which are relevant to this day); a researcher in the field of music history (he investigated the development of wind instruments in Czechia and revised dozens of old compositions). Many contemporary composers wrote works specifically for him, which he then premiered. Thanks to his extensive correspondence with dozens of music personalities all over the world, he contributed to several specialized international publications and was regularly invited to music conferences abroad (e.g. USA, Germany). His niche specialisation included official reviews of the quality of instruments (clarinets and saxophones) and mouthpieces available on the market at that time. He took part in the reconstruction of “Mozart’s basset clarinet” based on period sketches and built a working quarter-tone clarinet. His extensive interest in his field sets him apart from his contemporar - ies, many of whom were “just players”, rather than researchers. This dissertation is concerned mainly with his above-mentioned research. The principal resource for the research is an extensive written estate, with which I have been entrusted. It is currently deposited in the Czech museum of music in Prague (CMM). There are very few printed resources, as M. Kostohryz was not permitted to make substantial publications due to political reasons (see Bibliography).en
dc.description.sponsorshipReg. No. MK ČR E 24275en
dc.format11 s.cs
dc.format.mimetypeapplication/pdf
dc.format.mimetypeapplication/pdf
dc.identifier.citationMusica Paedagogia Pilsnens. 2021, č. 1, s. 62-72.cs
dc.identifier.doihttps://doi.org/10.24132/ZCU.MUSICA.2021.01.62-72
dc.identifier.issn2788-0087 (Print)
dc.identifier.issn2788-0095 (On-line)
dc.identifier.urihttp://hdl.handle.net/11025/46736
dc.identifier.urihttps://old.fpe.zcu.cz/export/sites/fpe/khk/musica-paedagogia/Archiv/01_2021_Musica_Paedagogia_Pilsnensis.pdf
dc.language.isoenen
dc.publisherUniversity of West Bohemia in Pilsenen
dc.rightsCreative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Licenceen
dc.rights.accessopenAccessen
dc.subjectklarinetcs
dc.subjecthudbacs
dc.subjectčtvrttónová hudbacs
dc.subjecthudební pedagogikacs
dc.subjecthudba 20. stoletícs
dc.subjectmoderní hudbacs
dc.subjectkorespondencecs
dc.subjectdědictvícs
dc.subjectrekonstrukce hudebních nástrojůcs
dc.subjectpokrok hudebních nástrojůcs
dc.subjectmodernizace hudebních nástrojůcs
dc.subjectnová hudbacs
dc.subjectMilan Kostohrycs
dc.subjectRudolf Trejbalcs
dc.subjectAlois Hábacs
dc.subjectArtur Holascs
dc.subjectJiří Kratochvílcs
dc.subjectPrague Conservatoireen
dc.subject.translatedclarineten
dc.subject.translatedmusicen
dc.subject.translatedquarter-tone musicen
dc.subject.translatedmusic pedagogyen
dc.subject.translated20th century musicen
dc.subject.translatedcontemporary musicen
dc.subject.translatedcorrespondenceen
dc.subject.translatedinheritanceen
dc.subject.translatedreconstruction of musical instrumentsen
dc.subject.translatedadvancement of musical instrumentsen
dc.subject.translatedmodernisation of musical instrumentsen
dc.subject.translatednew musicen
dc.subject.translatedMilan Kostohryen
dc.subject.translatedRudolf Trejbalen
dc.subject.translatedAlois Hábaen
dc.subject.translatedArtur Holasen
dc.subject.translatedJiří Kratochvílen
dc.subject.translatedPrague Conservatoireen
dc.titleClarinettist Milan Kostohryz: His contribution to the field of reconstruction of historical instruments and his innovative promotion of new instrumentsen
dc.typečlánekcs
dc.typearticleen
dc.type.versionpublishedVersionen

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