Na rozhraní věků III – exprese jako subjektivní prožitek světa, 2. Edvard Munch a Arnold Schönberg
Date issued
2024
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Abstract
První studie tematického cyklu ročníku 2024 EXPRESE JAKO SUBJEKTIVNÍ PROŽITEK SVĚTA soustředila pozornost na expresivní proud postimpresionismu a pozdního romantismu s protagonisty Vincentem van Goghem a Richardem Straussem. Tato druhá studie sleduje sleduje proud vyznačující se symbiózou formy a obsahu na pelomu 19. a 20. století obvykle označený jako symbolismus či dekadence. I tentokrát se zaměřuje na dva protagonisty – Edvarda Muncha a Arnolda Schůnberga – ale v širším záběru na genezi a pozdní fázi hnutí.
The first study of the thematic cycle of the 2024 edition EXPRESSION AS A SUBJECTIVE EXPERIENCE OF THE WORLD focused on the expressive stream of Post-Impressionism and Late Romanticism with its protagonists Vincent van Gogh and Richard Strauss. This second study traces a current characterized by a symbiosis of form and content on the nineteenth and twentieth-century peloma usually labeled Symbolism or Decadence. Again, it focuses on two protagonists - Edvard Munch and Arnold Schoenberg - but with a broader focus on the genesis and late phase of the movement.
The first study of the thematic cycle of the 2024 edition EXPRESSION AS A SUBJECTIVE EXPERIENCE OF THE WORLD focused on the expressive stream of Post-Impressionism and Late Romanticism with its protagonists Vincent van Gogh and Richard Strauss. This second study traces a current characterized by a symbiosis of form and content on the nineteenth and twentieth-century peloma usually labeled Symbolism or Decadence. Again, it focuses on two protagonists - Edvard Munch and Arnold Schoenberg - but with a broader focus on the genesis and late phase of the movement.
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Subject(s)
dekadence, symbolismus, volná atonalita, Sprechgesang, instrumentace, tematické okruhy, pozitivismus, symfonická báseň, monodrama, decadence, symbolism, free atonality, Sprechgesang, instrumentation, thematic circuits, positivism, symphonic poem, monodrama