Comparative Visual Aesthetics in Synesthetic Structures
Date issued
2013
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Václav Skala - UNION Agency
Abstract
We describe a means of co-evolving parameters for procedural animation generation. Several experiments were
completed in order to find an aesthetically pleasing animation mechanism, which could be modulated by music
and have its parameters evolved over time. The selected music visualization is a set of vector fields for the
purpose of moving particles whose paths create visual interest. To cause emergence of pleasing patterns in
particle behaviour, several metrics were incorporated into the fitness function. To reflect the spatial
characteristics of the vector fields a crossover operator was developed. The most critical aspect in creating a
vector field which animates particle paths over time is that the vector field not allow the particles to become
static or too tightly clustered, as either indicates the particles will no longer be circulating in interesting ways.
We are interested in encouraging certain behaviours of the particles without doing so explicitly so that a local
interaction approach allow for many aesthetically pleasing solutions to be reached, and rendered. This complex
systems approach continues to work as interesting patterns emerge. We provide several examples with later
generations creating more aesthetically complex renderings. Comparative visual aesthetics as a measure of such
visual refinement is introduced. If pleasing patterns can be made implicitly with the vector fields in this specific
audio-visual composition, it stands to reason that parameters for other visualizations may be evolved as well and
this work serves as an argument for computer assisted comparative aesthetic refinement.
Description
Subject(s)
animace částic, vykreslování, vizuální estetika, vektorové pole
Citation
WSCG 2013: Poster Proceedings: 21st International Conference in Central Europe on Computer Graphics, Visualization and Computer Vision in co-operation with EUROGRAPHICS Association, p. 17-20.